![]() ![]() The lower portion of the UI splits vertically, with the upper half housing the controls, such as delay time, feedback, effects and mixing, while the lower half is devoted to modulation. Dark and spacious, Timeless 3 is gentle on the eyes, which is vital as it can easily grab your attention for long periods of experimentation. There are plenty of visual aids to link what you see to what you’re hearing, such as pulsating delay tap lines, the filter section spectrograph, and any filter modulations. The modulators, once connected to their control destinations, create a glowing, hazy colour-coded trail. These are a subtle guide rather than hard data presentation. Still, considering the detail available within the modulation parameter edit boxes that you can summon over any control, this is a good UI design choice. The three main controls, Delay, Feedback and Wet, come in dual-concentric rotary form with the centre setting offset, percentage and level, respectively, while the outer rings adjust panning balance. As you alter these parameters, the displayed delay tap lines change position and length to reflect the effect of the changes. This visual guide is far more intuitive than the numerical data shown at the knobs. Once modulation is involved, these lines provide an invaluable representation of how Timeless 3 is working.Ĭlustered around the central Delay knob are four icons that access delay freeze, ping-pong, tempo sync and Read Mode. The last of these toggles between a tape-style pitch change as the delay time changes and the digital stretch mode where pitch remains constant. #Fabfilter timeless link to preset full#. ![]()
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