As for the newest way to wear a Chanel suit - skirt veiled in a black over layer - any age, anywhere. But clients of a more traditional mature couture ilk will find plenty to wear, in lean coatdresses and a stunner of a bejeweled black suit with cardigan jacket over a long, side-slit skirt. In fact, some found the direction too young. Such looks should appeal to couture’s newest demographic, the young hautes. It came mostly in upbeat mixes of black and bright white, often in exquisite sparkly tweed embroideries. The jeune fille mood surfaced in tailoring that relaxed into a sportswear attitude and a loosening of proportions, sometimes a little (lean, self-belted dress with crisp pointed collar), sometimes a lot (dropped-torso glen plaid number with full skirt and fuller sleeves). “It’s a story that is always being rewritten.The clothes were Chanel through and through, but with a proverbial twist: They pulsed with a youthful currency rooted in more than the charming styling conceit of white hose, thick ankle socks and chunky-heeled, demonstratively un-glam shoes. Unveiled at the Étrier de Paris equestrian centre, the CHANEL Fall-Winter 2022/23 Haute Couture collection by Virginie Viard was shown within the second chap. There’s a real affinity between Charlotte and Virginie, and Charlotte and Chanel,” he said. The fabled haute couture salons on the rue Cambon have just been reimagined by the esteemed decorator Jacques Grange, a project initiated by Karl Lagerfeld who, as Viard recalls, mischievously. Naundorf was allowed exclusive access into Chanels Haute Couture archives, where she got to hand-pick the crme de la crme of couture coats, gowns, suits, and. “It’s a very beautiful collaboration in every sense - intellectual, philosophical. The Chanel autumn / winter 2015-16 haute couture collection includes. The sun was beaming on models carrying and wearing blooming florals and. In addition to appearing in ad campaigns, as well as the teaser and film for Tuesday’s couture show, she animates a bimonthly literary event that acts as a kind of super-chic book club for Chanel-ites. A model walks the runway at Chanel's Paris- Edinburgh ' mtiers d'art fashion. From a Chanel bride to an A-list FROW: Everything you need to know about Chanels AW23 haute couture show in Paris. Pavlovsky also indicated that Casiraghi would continue to play an important role in the brand’s communications. A model wears a creation for the Chanel Haute Couture Spring/Summer 2020 fashion collection presented in Paris Fashion Haute Couture S/S 2020. It’s an extraordinary alchemy that renders this exercise unique,” he said.Īlmost three years into the job, Viard appears no closer to stepping into the role of public figure that the function of creative director increasingly demands, so it’s savvy of Chanel to beef up the creative ranks around its designer, a popular strategy for luxury houses faced with the need to fuel digital storytelling around their collections. I think the collection fits perfectly into this decor. “It’s a new signature for the house, and at the same time it has a very strong influence on Virginie’s inspiration for the collection. With the Eiffel Tower in the distance, the well-heeled glitterati of the fashion world navigated the uneven terrain for an outdoor collection that celebrated the soul of Paris. The bride carried a blue bouquet in remembrance of French actor Gaspard Ulliel, the longtime face of the Bleu de Chanel fragrance, who died last week in a skiing accident.īruno Pavlovsky, president of fashion and president of Chanel SAS, said the house would continue to work with Veilhan on its next couture show in July. PARIS (AP) The cobblestoned banks of the Seine River served as the stage for Chanel’s latest haute couture collection. By contrast, checked tweed coat dresses and A-line tunics telegraphed a neat ‘60s allure. Before that, the very serious Haute Couture shows were held in hotels, with the models going down the runway in elegant ballrooms. Linda Evangelista wearing a sleeveless Chanel mini dress with long latex gloves and a huge headpiece did just that. Long and curved over the hips, the house’s signature tweed jackets featured split-back flaps inspired by equestrian uniforms, and were paired with bulbous cuffed pants, some sliced open at the sides. Before Karl Lagerfeld had taken to creating huge, showstopping sets to house his Chanel shows in, such as casinos, airplanes and seaside towns, the designer relied on the ’90s supers to create a stir.
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